Nikon D90 SLR-Digital Camera

Even with Nikon D90, Nikon has once again provided a solid camera with good price-performance ratio. Here, consistent model of care is operated, the Nikon users will find their way around once again. As a “climber” from a D70 but has come on in years, of course, made a quantum leap above all the sensational megapixel display for image control, the much higher speed of data processing and image display, live-view and little things such as better-designed controls, a freely assignable function button more individual settings, a personal favorite menu and much more. Of course there are many more on the D90 AF sensor fields, the chance that something will be in focus on unimportant things in the foreground remains high – a very questionable for me, “AF sensor Competition”, I remain comfortable with the manual selection of the sensor array and since it will not play such a role, how many of them are available.

The image quality in JPEG directly from the camera at high ISO *** *** extremely impressive (eg, in direct comparison with Nikon D70 and Sony Alpha 700). Even at ISO 6400 the camera still delivers reasonable pictures – wary of this achievement. With other cameras (Alpha 700) is less necessary with RAW editing on the computer to achieve a similar result.

A few downsides must not be ignored: the video mode is impressive, and of course, an absolute novelty, the correction options (eg only had exposure) are however limited and VERY hard to focus when recording in general dead, especially the tone is a disaster ( you will) as an adjustment of the zoom or focus clearly heard during playback. Still, many “pocket cameras should” here to bring better overall results, except of course in the use of special lens on the Nikon.

The Life-View is also a welcome asset, and will probably in some situations (eg, from Tripod, Macro, upside down) are regularly used, the contrast AF in this mode is VERY slow, even more comfortable than many compact cameras. Nikon seems to be a very “funny” focus strategy to use (it probably will be struck down multiple focus points and then directly calculated from the correct focus position – 1-2 seconds does it take to be happy times here, there are much better implementations of Kontrastautofokussi eg Bridge cameras) . Successful?sse in this mode are realistic only with pre-focusing, still had an overall very valuable function.

The 18-105 kit lens can be of course not the hammer at the price situation, but it is very useful, provided a quasi-Universal zoom with image stabilizer at a bargain price. Even the image stabilizer in the lens appears to be very effective, but not “class to be” the Sony 700 with its built-in stabilizer as seems to provide it on a subjective basis of first experiments in this focal length range, a noticeably better performance (eg, arms propped up at 1 Sec. Exposure not overly practical, but quite nice) for a test.

In sum, a camera that is based on the amount of time and is unlikely to disappoint some functions might be better deployed elsewhere, but Nikon D90 has a very round overall and most importantly the picture quality remains at the end and since the D90 can be relaxed with the higher-priced competitors compete.

Sony Alpha 700 as a concurrent user, I can not resist making a remark, unfortunately – please Nikon’s looking at you at times but love this competitive model, where you could in terms of ease of use, learn a lot and so the list of “little things” that are resolved at the A700 much better, is unfortunately quite long: AE-Lock switched on demand directly to spot metering, zoom into the picture jumps to 10x zoom, and right on the spot in the picture, located on what the focus (-dot) [ Fastest Focus Control!], the mini-joystick and the direct selection of functions on the display, ISO Auto-dial directly from over-switched, AF start if you take the camera to your eye, the display automatically shuts off and the front command dial has (for the A700 ALWAYS a rational function and is also much better positioned on the camera), good thumb accessible buttons on top of the camera and all settings on the main display [in the D90 has implemented a lean compromise, because I think Nikon should time to decide which direction you want to go, small buttons down the back for ISO etc. and a mini-display does not fit together on top of the camera remains, as it will immediately switch the display back and not just pressing a button as it is now at D90], Red LED AF assist light on the A700 is much less conspicuous than the D70 has the same bright and early unnecessarily capitalized “Torch” to the D90, etc. etc. etc.

In short, my absolute dream camera would be a hybrid of the operation and image stabilization of the A700, the A350 from Lifeview autofocus, image quality, bracketing, and a few other details from the D90 and a somewhat more reasonable video mode … But one can still dream indeed. Nevertheless, 5.0 points for the D90, because although there is still something to improve that for the other cameras, but also applies to the D90, and egg-laying at my-dream-Wollmilchsau as much pretty, but especially the great JPEG image quality directly from the camera contribute even at high ISO would be …

A tiny little thing yet, but all the newcomers and parallel users of other systems, hitherto well as I went to the Nikon’s is cruel to the biscuit: the D90 can now reverse the display for exposure correction and rotation of the rear adjustment wheel so that now so rum works such as at the Sony. You may have seen the “mistake” of the previous Nikons the rest of the world, not only for Sony but also in the rest of the technology are now stop the negative values of time left and not right on the scale and that the pointer will continue in the direction is running, in which one turns the (posterior) dial is surely only obvious – especially when the wheel then, like most water taps in the western hemisphere (light work) to light, thank Nikon for the two custom options in the D90 !

Tags: Camera, compact camera, Digital Camera, nikon, sony